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CAMP
((05))
creative arts and music
project
international festival for electronic music and visual arts
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Günther Reger was born in
the region of Baden-Württemberg in 1951; during the early
days of the rebellious seventies he studied in Berlin at the
Academy of Fine Arts, going onto new areas of fine art as well
as the field of experimental music.
Today, in the present artistic work, his creative progress anticipates
new steps towards the language of images and music.
Amid the general development in art, Günther Regers artistic
work visibly reveals his own individual ambitions. His studio
in Küpfendorf denote many things simultaneously: an atelier
for light and music, a colour-laboratory and sort of a theatre
for the staging of images. Part of his work is subject to changes,
growing into components of gradual processes which will be witnessed
through the colour of the image: modern colour-pigments which
are seldom used in painting constitute the basis; in a dark-room,
they are altered by artifical light and daylight in accordance
with carefully fixed timing. The light is the intrinsic prerequisite
for colours and their changes – for the process of the
image – thus capturing its characteristic value.
To this day and after earlier attempts, Günther Regers
important working-groups and installations are aiming to create
worlds of perception, time and remembrance, by the means of
the language of art.
Günther Regers music career started with the Release music
orchestra in Hamburg. The Rock-Jazz formation played at festivals
like Montreux 1979. Followed by music performances with Kraan,
Tavil and Accoustic on tour with the Goethe Institute at Turkey
and on the West African continent.
2 CD´s of Acoustic and Tavil are produced by Selected
Sound.
2005 on tour with Hubert Stytz as support of Willy de Ville
in Germany.
In different formations Günther Reger worked with experimental
music and images. At the EXPO 2000 Hannover he realized an interactive
Light Dome called “Light composition 2000 MIX ADAT”.
More at www.n-log.de
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©
Thomas Maos, Birgit Riegger 2005
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